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The Weatherman Is Wrong

by GADADU

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wafiii
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wafiii How to write about some of the most sophisticated, ground-breaking NeoSoul NuJazz that I've heard in 20 years? I can't wax rhapsodic enough about this album, this music, these songs. The band have definitely matured and polished their own identities as this album feels for the first time as I'm hearing GADADU's own music, not just derivations or homages to past masters. A top 5 album for 2022 for me and one that is quickly rising into the echelons of my all-time top albums! Favorite track: Dreamhouse.
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1.
Cicadas 05:08
in a little house the walls are slowly crumbling down (they always were) but now I see the cracks widening, widening in the deep blue night alive with yellow-golden light when all is said and done we hang our memories out in the sun they shimmer there then toward the stars we soar blissfully, blissfully in the deep blue night alive with yellow-golden light in the deep blue night all our memories pulsing in the deep blue night we are swaddled in cicadas and dark rain
2.
Bear 01:53 video
I wouldn’t know if a flower grew right through my head a bear wouldn’t know it could eat me ‘cause I’m playing dead if I could only see all the beautiful places that I’ve been I probably wouldn’t be here right now playing dead with the bears in my own head playing dead with the bears in my head playing dead with the bears in my own head I wouldn’t know if a flower grew right through my head a bear wouldn’t know it could eat me ‘cause I’m playing dead
3.
Dreamhouse 05:46
a strange woman in a modern house white walls rise to meet high ceilings stairs lead down to marble shining veined with grey, and bright like ice. what, I wonder, could this family ever feel, or touch? a fleet of boys, young and varied, their mother cold and proud looks on standing motionless except for lips and eyes that beckon to a world beyond then my eyes drift across drawn by a darkly gleaming view the house is a giant skeletal beast with flanks that open out, all glass, upon a strange sylvan scene: first the beech trees – silver, silky – snow-bleached filmy leaves gleam gold roots run into deep black ground an eerie light spreads dimly catching certain things while shadowing others all slopes lead down to a darkened pool illuminated by a central shaft of light I see the pond is shallow, blanketed beneath with leaves. my mind’s eye knows this scene’s a portal, the woman, her boys, the house: its guards, its guards its guards
4.
At Play 04:05
in the shadow of a doubt one hopes truth will come about as the world turns over and goes to sleep in the thicket of my mind I have no sense of time in the thicket of my mind i have no sense of time in the thicket of my mind I have wonders made of clay come what may I am but a child at play come what may I am but a child at play lost at sea my dreams are made of clay in the thicket of my mind I go wild to rationalize a child at play in the thicket of my mind i hope truth will come about as the world turns over and goes to sleep
5.
Makeup 04:16
… you drink slow, taste the years with fortune and fame your dreams lie behind you … with fortune and fame your dreams lie behind you
6.
dreams bite dreams bite dreams bite dreams bite the oceans and their children drown on the shores of nations floating, I see the people of silver drawing in their nets to drink the earth dry with thirst while on the borders of love, we can’t fall asleep you can’t hide above on the edge of time on the edge of time running out of dreams on the edge of time forms without function toiling over phantoms guided to string our dreams in patchworks of pictures time to shake it off and see what’s real: blood & oil while flowing through tangled veins, we can’t fall asleep you can’t hide above running out of dreams when we are all saltwater at once with the darkest depths flying, I move through time and living is changing struggling to breathe and hungry means never – while on the open swells of space the makers of light are sculpting their own children into effigies of war
7.
Tides 04:42
I let the tide go out I let the tide go out and I’m the moon and the breathless stars above I let the tide go into you poisonous waves sharp with shards of broken satellites I let the tide go out I let the tide go out and I’m the moon and the blessed stars above I let the tide go into you poisonous wavers sharp with shards of broken satellites I have a tendency toward watery dreams and I sometimes utter a silent scream when I’m trapped in one those watery dreams, watery dreams watery dreams, watery dreams – and I dearly hope that you will teach me how to fly one of these nights so that I will never let the tide go out again the tide go out again…
8.
Prove to You 04:44
sweet picture of life my mother showed me harsh light in my eyes my heart was studied do clouds knows of rain and snow why must I prove to you why must I prove to you why must I prove to you my love look what you will find a room of mirrors my soul left behind a pale spectre do clouds know of rain and snow why must I prove to you why must I prove to you why must I prove to you my love all my life I thought that you’d be there and all my life I didn’t know you why must I prove to you why must I prove to you why must I prove to you my love
9.
we swam through the city of lights stirring the waters with steel dreams and starless goodnights I drift into you our lives we knew would be different our hearts would hear oceans break on plaster walls we swam through the city of lights stirring the waters with steel dreams and starless goodnights I drift into you our hopes seemed strange cold and shallow our hearts turned grey in the city’s smog and pride soaked greys in red earth your love restores me we swam through the city of lights stirring the waters our future ripples before us and breaks in staggering moments of truth and love

about

GADADU's third album, The Weatherman Is Wrong, is a foray into the unpredictable - a Pandora's box of textures and rhythms. The album’s title is an allegory for the unpredictable and genre-defying nature of this music. In a world of heavily systematized and regulated media content, The Weatherman Is Wrong brings listeners into a creative wilderness. The feeling of this world, in all its sounds and expressions, exists a posteriori to the predictions of weather instruments and meteorologists.

This album synthesizes the musical sensibilities of bandleaders (and spouses) Hannah Selin (voice, viola) and Nicki Adams (piano, synth), whose collaboration spans almost a decade. Hannah and Nicki's divergent musical paths gave birth to the unique elements in The Weatherman Is Wrong. Hannah’s compositions for acoustic instruments, electronics, voices, and field recordings, equally inspired by the natural and the supernatural, have won commissions and international awards. Nicki has released albums as a bandleader on iconic jazz labels Sunnyside and Steeplechase. GADADU’s lineup includes Patrick Adams (trumpet), Ayumi Ishito (tenor sax), Dan Stein (bass) and Arthur Vint (drums). The colorful arrangements, brimming with synths, horns, and strings, reflect GADADU’s live sound since Ayumi joined the band in 2018.

Tiny Mix Tapes’s Tristan Kneschke described GADADU’s last album, Outer Song, as “bewitching” and “transcendent,” and The Weatherman Is Wrong continues deeper on this trajectory. The opening track, “Cicadas,” is an ode to the next life. An ethereal drone-like texture unfolds over a field recording of the nighttime insect chorus of Hannah’s childhood summers, overlaid by cascading melodies from voice and horns. “Prove to You” features a full-scale orchestral arrangement, lush vocal harmonies and a guest appearance by Xanthoria Quartet. Short folksy soliloquies (“Bear”) morph into viola-piano duos with 12-tone bridges (“Makeup”). “Dreamhouse” describes a deep-woods portal to another dimension, featuring Arthur’s incisive drums along with an uncanny mix of vocoder, horns, synths, and chanting.

The Weatherman Is Wrong includes three original music videos:

"Bear" motion artwork by Pasakorn Nontananandh, aka Akaliko (www.akaliko8.com/): youtu.be/RYINgQnAKHo

"Tides" music video by Nicki Adams: youtu.be/cSTYFPj4a5o

"Ocean's Children" music video by Nicki Adams: youtu.be/OnZkdQzkQgs

credits

released September 30, 2022

Hannah Selin - voice, viola
Nicki Adams - piano, synths
Patrick Adams - trumpet
Dan Stein - bass
Ayumi Ishito - tenor sax
Arthur Vint - drums, percussion

Guests on track 8: Xanthoria Quartet - Abby Swidler, Kate Goddard (violins), Alexandra Jones (cello)

All music composed by Nicki Adams & Hannah Selin
Recorded at home in New York & Arizona
Mixed by Rick Warren
Mastered by Kelly Hibbert
Cover art by CJ Johansson

Gold Bolus Recordings // GBR061
www.goldbolus.com

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GADADU New York, New York

With a kaleidoscopic sense of time and texture, GADADU weaves odd-meter grooves, synth-spiked orchestral arrangements, and unorthodox song forms into a dreamy, soulful sound. Formed in 2013 by bandleaders Hannah Selin and Nicki Adams, GADADU has since expanded to include Patrick Adams (trumpet), Ayumi Ishito (tenor sax), Daniel Stein (bass) and Arthur Vint (drums). ... more

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